Johnson County Community College
Course Syllabus
English 241: Major British Authors
Fall Semester 1999
Instructor Information
Dr. James McWard
Phone: 469-8500 Ext. 2469
e-mail: jmcward@jccc.net; web: www.jccc.net/~jmcward
Office: EMC 301E; Office Hours: 10-11 Monday-Friday
Course Information
Credit Hours: 3
Prerequisites: Composition I (English 121) and Composition II (English 122)
Textbooks:
Abrams, M. H., et al., eds. The Norton Anthology of English Literature. 6th ed. New York: W.W. Norton, 1996.
Chaucer, Geoffrey. The Canterbury Tales. Trans. Nevill Coghill. London: Penguin, 1977.
Shakespeare, William. King Lear. Ed. Alfred Harbage. London: Penguin, 1986.
Shelley, Mary. Frankenstein. 1818. Ed. J. Paul Hunter. New York: W.W. Norton, 1996. (Sold with The Norton Anthology of English Literature.)
Supplies: Standard 8 1/2 x 11 white paper for assignments is required. Out-of-class essays must be typed.
Caveats: none
Description: Through reading, discussing, writing, and testing, the student in this course will receive numerous opportunities to learn about the history, scope, traditions, concerns, and techniques of English literature from the beginnings through the twentieth century; in addition, the student will learn to appreciate the place of individual authors within that tradition.
Objectives: After completing this course, the student should be able to
1. understand the general sweep of English literary history;
2. identify the roles of individual authors within that tradition;
3. appreciate the accomplishments of major British writers;
4. discuss, insightfully, both in conversation and in writing, some of the major figures in English literature;
5. and apply what he or she has learned in British Writers to any future experiences of literature.
Course Requirements
1. Major Papers: Three analytical out-of-class essays of four pages in length. I will give you suggested topics closer to when each paper is due.
2. Quizzes and Examinations: With such a small class, it is important that each student come to class prepared each day. To motivate you to complete the assigned readings on schedule, I will give short reading reaction quizzes at the beginning of most class periods. The midterm and final will be a combination of short answer and essay.
3. Portfolio: Students will write a total of three essays over the course of the semester. While I will read and comment upon the first two essays, they will not receive letter grades. Instead, at the end of the semester, you will put together a portfolio that will include a revision of one of these first two essays, a final version of a third essay, and an informal introduction that describes your revision process and critiques some of the reading material from the course. This portfolio will be worth 250 points.
4. Participation and in-class work: Class attendance and participation are essential to learning more about the course material. Your participation in the class will be evaluated on the basis of 30 points. Missing class meetings will result in a significant reduction of these participation points. Missing more than six class periods could result in a failing grade for the course.
5. Preparation of essays: All final versions of essays written outside of class must be typed (double spaced and with margins of one inch). Each essay should have a title and follow proper MLA style. While I will not grade the first two essays you write the first time you turn them in, I will assign points to them based on how well they were developed, how well they fulfilled the assignment, and whether they were turned in on time.
6. Late work: Essays should be submitted at the beginning of the class period for which they are due. Any essay submitted after I have collected the rest of the classs work will be counted as late and will receive 0 out of the ten points possible. If you must turn in a paper late, please try to contact me before the paper is due. For each day the portfolio is late, I will deduct ten percent from the grade.
7. Special Services: If you are a student with a disability, and if you will be requesting accommodations, it is your responsibility to contact Special Services. They will recommend appropriate accommodations to me and my Director, and you will be notified when the accommodations are arranged.
Evaluation
Essay Portfolio: 250
Quizzes: 100
Credit for Essays 1 and 2: 20
Participation and attendance: 30
Midterm: 100
Final Examination: 100
Total: 600
Honors Contract
An honors contract is available for English 241. The contract gives qualifying students
the opportunity to earn one hour of additional credit toward graduation. The contract
would require you to meet with Dr. Paul Northam, who would serve as your mentor, on an
individual basis, read additional works by or about a British author, write one essay, and
prepare an annotated bibliography. If you are interested, see me for further details.
Tentative Course Schedule
Complete readings prior to the class meeting for which they are to be discussed. (Remember, we will have quizzes). All page nos. (except for Canterbury Tales) refer to The Norton Anthology of English Literature.
Week 1: Aug. 18, 20
Class introduction, Introduction to English Literature and Medieval Literature
Week 2: Aug. 23, 25, 27
ANGLO-SAXON PERIOD
Beowulf (23-64)
Week 3: Aug. 30, Sep. 1, 3
THE MIDDLE AGES
Chaucer, The Canterbury Tales
The Prologue (3-26)
The Knights Tale (26-86)
The Millers Tale (86-106)
Week 4: Sep. 8, 10
Chaucer, The Canterbury Tales
The Pardoners Tale (241-258)
The Wife of Baths Tale (258-292)
The Merchants Tale (356-388)
Week 5: Sep. 13, 15, 17
Essay #1 Due - Beowulf or Chaucer
THE 16TH CENTURY
Shakespeare, Sonnets: 18, 29, 55, 73, 130 (471-479)
Shakespeare, King Lear
Week 6: Sep. 20, 22, 24
Shakespeare, King Lear
Week 7: Sep. 27, 29, Oct. 1
THE 17TH CENTURY
Donne
"The Good Morrow" (586)
"The Canonization" (590)
"The Flea" (594)
Holy Sonnet 10 (611)
Holy Sonnet 14 (612)
Herbert
"Easter Wings" (808)
"The Collar" (809)
"The Pulley" (810)
Marvell, "To His Coy Mistress" (815)
Week 8: Oct. 4, 6, 8
Midterm Exam
Milton
"How Soon Hath Time" (661)
"When I Consider How My Light is Spent" (661)
"On the Late Massacre in Piedmont" (662)
"Methought I Saw My Late Espoused Saint" (662)
Week 9: Oct. 11, 13, 15
Milton, Paradise Lost
Week 10: Oct. 18, 20, 22
THE RESTORATION AND THE 18TH CENTURY
Swift, A Modest Proposal (1048-1054)
Swift, Gullivers Travels (905-1048)
Week 11: Oct. 25, 27, 29
Pope, Rape of the Lock (1075-1094)
Gray, "Elegy Written in a Country Churchyard" (1253-1256)
ROMANTIC PERIOD
Blake, From Songs of Innocence and of Experience
"The Lamb" (1289)
"The Chimney Sweeper" (1290-91)
"The Chimney Sweeper" (1295)
"The Sick Rose" (1296)
"The Tyger" (1296-97)
"London" (1298)
Wordsworth
From Preface to Lyrical Ballads (1341-52)
"Composed Upon Westminster Bridge" (1393)
Week 12: Nov. 1, 3, 5
Essay #2 Due - 16th, 17th, or 18th century
Coleridge, "Kubla Khan" (1504-1506)
Keats
The Eve of St. Agnes (1778-87)
"When I have fears that I may cease to be" (1777-78)
Shelley, Frankenstein
Week 13: Nov. 8, 10, 12
Shelley, Frankenstein continued.
THE VICTORIAN AGE
Browning, "My Last Duchess" (1985-86)
Hopkins, "Gods Grandeur" (2127-28)
Week 14: Nov. 15, 17, 19
Note: Nov. 15 is the last day to withdraw with a "W"
TWENTIETH CENTURY
Hardy
"Neutral Tones" (2149)
"The Ruined Maid" (2152)
"Channel Firing" (2152-53)
Joyce, The Dead (2345-2373)
Week 15: Nov. 22
Yeats
"The Second Coming" (2280)
"Sailing to Byzantium" (2282-83)
Week 16: Nov. 29, Dec. 1, 3
Conrad, The Heart of Darkness (2205-63)
Week 17: Dec. 6, 8, 10
Portfolio and Essay #3 Due - 19th or 20th century
Eliot, "The Love Song of J. Alfred Prufrock" (2459-63)
Woolf
From A Room of Ones Own (2311-17)
Professions for Women (2317-2320)
Preparation for final exam
Final Exam: 10:15-12:15 Thursday, Dec. 16